•
AGONY OF THE EAGLES
by Roger RICHEBÉ (1933) -
133 mns
•
AMOURS DE MINUIT (LES)
by Augusto GENINA (1930) -
92 mns
•
APRÈS, APRÈS DEMAIN
by Gérard FROT-COUTAZ (1990) -
83 mns
•
ARE YOU ENGAGED TO A GREEK SAILOR OR A LINE PILOT ?
by Jean AUREL (1970) -
100 mns
•
ASTRAGAL
by Guy CASARIL (1968) -
102 mns
•
BACK FIRE
by Jean BECKER (1963) -
100 mns
•
BANANA PEEL
by Marcel OPHULS (1962) -
94 mns
•
CAREFUL THE EYES (LET'S MAKE A DIRTY MOVIE)
by Gérard PIRÈS (1975) -
80 mns
•
CATHERINE
by Albert DIEUDONNÉ (1924) -
84 mns
•
CHEAT (THE)
by Marcel L'HERBIER (1937) -
99 mns
•
CONFESSIONS OF A NEWLYWED
by Léo JOANNON (1936) -
102 mns
•
COURIER OF LYONS
by Maurice LEHMANN (1936) -
99 mns
•
CRIMSOM DYSNASTY
by Maurice TOURNEUR (1935) -
115 mns
•
DANCE OF DEATH (THE)
by Marcel CRAVENNE (1948) -
88 mns
•
Day in the Country
by Jean RENOIR (1936) -
40 mns
•
DOMINO
by Roger RICHEBÉ (1942) -
89 mns
•
DON QUIXOTE
by Georg Wilhelm PABST (1932) -
85 mns
•
EROTISSIMO
by Gérard PIRÈS (1969) -
85 mns
•
ETERNAL HUSBAND (THE)
by Pierre BILLON (1945) -
95 mns
•
FANTASIA AMONG THE SQUARES
by Gérard PIRÈS (1970) -
90 mns
•
FANTOMAS
by Paul FEJOS (1932) -
83 mns
•
FLEEING DEAD (THE)
by André BERTHOMIEU (1936) -
86 mns
•
FRIC-FRAC
by Maurice LEHMANN (1939) -
106 mns
•
FROM MAN TO MEN
by CHRISTIAN-JAQUE (1947) -
97 mns
•
GAME FOR SIX LOVERS (A)
by Jacques DONIOL-VALCROZE (1960) -
87 mns
•
GARDEZ LE SOURIRE
by Paul FEJOS (1933) -
72 mns
•
IMMORAL MOMENT (THE) / DENUNCIATION (THE)
by Jacques DONIOL-VALCROZE (1961) -
105 mns
•
IMMORAL WOMEN
by Walerian BOROWCZYK (1978) -
119 mns
•
INDISCREET ONE (THE)
by Francois REICHENBACH (1968) -
91 mns
•
ISN'T LIFE A BITCH? / BITCH (THE)
by Jean RENOIR (1931) -
94 mns
•
JULIETTA
by Marc ALLÉGRET (1953) -
97 mns
•
LADY CHATTERLEY'S LOVER
by Marc ALLÉGRET (1955) -
104 mns
•
LOLA MONTES
by Max OPHULS (1955) -
105 mns
•
MADAME SANS-GÊNE
by Roger RICHEBÉ (1940) -
99 mns
•
MANON
by Henri-Georges CLOUZOT (1948) -
105 mns
•
MIDNIGHT IN PARIS
by Georges LACOMBE (1941) -
99 mns
•
MIDNIGHT TRADITION
by Roger RICHEBÉ (1939) -
104 mns
•
MIROR
by Raymond LAMY (1946) -
90 mns
•
MY LIFE TO LIVE
by Jean-Luc GODARD (1962) -
82 mns
•
MYSTERY OF THE YELLOW ROOM (THE)
by Henri AISNER (1948) -
90 mns
•
Nothing but Time
by Alberto CAVALCANTI (1926) -
47 mns
•
NOVEL OF A POOR YOUNG MAN (THE)
by Abel GANCE (1935) -
94 mns
•
OLIVIA / PIT OF LONELINESS (THE)
by Jacqueline AUDRY (1950) -
95 mns
•
On purge bébé
by Jean RENOIR (1931) -
52 mns
•
ON THE LAMB
by Michel MITRANI (1971) -
90 mns
•
PERFUME OF THE LADY IN BLACK B/W (THE)
by Louis DAQUIN (1948) -
100 mns
•
PRIVATE COLLECTIONS
by Shuji TERAYAMA Just JAECKIN (1978) -
100 mns
•
ROOM UPSTAIRS (THE)
by Georges LACOMBE (1946) -
95 mns
•
SAD SACK (THE)
by Jean RENOIR (1928) -
114 mns
•
SANS FAMILLE
by Marc ALLÉGRET (1934) -
114 mns
•
SCHEMING WOMEN (THE) / PLOTTERS (THE)
by Henri DECOIN (1953) -
98 mns
•
SCHOOL FOR LOVE
by Marc ALLEGRET (1955) -
96 mns
•
SEA FEVER
by Alberto CAVALCANTI (1927) -
80 mns
•
SOPHIE AND THE CRIME (GIRL ON THE THIRD FLOOR)
by Pierre GASPARD-HUIT (1954) -
92 mns
•
SUBURBS ARE EVERYWHERE (THE)
by Gérard PIRÈS (1973) -
100 mns
•
TENDER SCOUNDREL
by Jean BECKER (1965) -
85 mns
•
TO CATCH A SPY
by Richard CLEMENT (1971) -
95 mns
•
TUNNEL (LE)
by Kurt BERNHARDT (1933) -
72 mns
•
VOYAGE WITHOUT HOPE
by CHRISTIAN-JAQUE (1943) -
86 mns
•
WAGES OF SIN (THE)
by Denys de la PATELLIÈRE (1956) -
110 mns
•
Affaire de la malle à gouffe (L')
by Guy JORRÉ (1965) -
58 mns
•
AMANT DE MADAME VIDAL (L')
by André BERTHOMIEU (1935) -
87 mns
•
AMERICAN LOVE
by Claude HEYMANN (1930) -
96 mns
•
AVENTURES DES PIEDS NICKELÉS (LES)
by Marcel ABOULKER (1947) -
86 mns
•
BALLERINA
by Ludwig BERGER (1949) -
75 mns
•
BELLE AU BOIS (LA)
by Denis LLORCA (1994) -
89 mns
•
BERTHE
by Denis LLORCA (1984) -
90 mns
•
BERTRAND AND THE LION
by Robert DHERY (1949) -
100 mns
•
BLACK AND WHITE
by Robert FLOREY (1930) -
107 mns
•
BOUT DE CHALLENGER (UN)
by Alexandre SOURINE (1991) -
89 mns
•
CHOCOLATE GIRL (THE)
by Marc ALLÉGRET (1931) -
94 mns
•
Crime de la rue de chantilly (Le)
by Guy JORRÉ (1965) -
56 mns
•
CRIME DU BOUIF (LE)
by André CERF (1951) -
91 mns
•
DAME DES FOLIES BERGÈRE (LA)
by Denis LLORCA (1997) -
88 mns
•
DAUGHTER OF MATA HARI (THE)
by Renso MERUSI (1954) -
95 mns
•
DIONYSOS
by Jean ROUCH (1983) -
95 mns
•
FILLE ELISA (LA)
by Roger RICHEBÉ (1956) -
90 mns
•
FIN DES PYRÉNÉES (LA)
by Jean-Pierre LAJOURNADE (1970) -
80 mns
•
FROU-FROU
by Augusto GENINA (1954) -
112 mns
•
GIGOLO
by Roger RICHEBÉ (1950) -
102 mns
•
GIRL KNEW (A)
by Maurice LEHMANN (1947) -
95 mns
•
GRANDE MAGUET (LA)
by Roger RICHEBÉ (1946) -
83 mns
•
I YOU THEY
by Peter FOLDES (1969) -
90 mns
•
J'AI UNE IDÉE
by Roger RICHEBÉ (1934) -
91 mns
•
J3 (THE)
by Roger RICHEBÉ (1945) -
80 mns
•
JEAN DE LA LUNE
by Marcel ACHARD (1948) -
91 mns
•
JOCELYN
by Jacques de CASEMBROOT (1951) -
92 mns
•
JOURS HEUREUX (LES)
by Jean de MARGUENAT (1941) -
90 mns
•
KNIGHTS OF THE ROUND TABLE
by Denis LLORCA (1989) -
146 mns
•
LOVE SONGS
by Robert FLOREY (1929) -
85 mns
•
LOVER'S OF BRAS-MORT (THE)
by Marcello PAGLIERO (1950) -
95 mns
•
MADAME DE LA CARLIÈRE
by Gisèle BRAUNBERGER (1988) -
90 mns
•
MADO POSTE RESTANTE
by Alexandre ADABACHIAN (1989) -
98 mns
•
MARIAGE À RESPONSABILITÉ LIMITÉE
by Jean de LIMUR (1933) -
75 mns
•
MARKED GIRLS
by Roger RICHEBÉ (1938) -
94 mns
•
MONSIGNOR
by Roger RICHEBÉ (1948) -
92 mns
•
NAGANA
by Hervé BROMBERGER (1954) -
92 mns
•
ON N'ARRÊTE PAS LE PRINTEMPS
by René GILSON (1971) -
95 mns
•
QUE LES HOMMES SONT BÊTES
by Roger RICHEBÉ (1956) -
98 mns
•
RED NEEDLE (THE)
by Emile-Edwin REINERT (1950) -
85 mns
•
REGIMENT'S CHAMPION (THE)
by Henry WULSCHLEGER (1931) -
91 mns
•
ROAD IS FINE (THE)
by Robert FLOREY (1929) -
85 mns
•
ROMANCE À TROIS
by Roger RICHEBÉ (1941) -
93 mns
•
RUN AWAY MR PERLE B/W
by Pierre GASPARD-HUIT (1952) -
95 mns
•
SECRET OF POLICHINELLE (THE)
by André BERTHOMIEU (1935) -
90 mns
•
SOLDIER MARTIN
by Michel DEVILLE (1966) -
90 mns
•
STREEM (THE)
by Maurice LEHMANN (1938) -
93 mns
•
TAMPON DU CAPISTON (LE)
by Maurice LABRO (1949) -
95 mns
•
TIRE AU FLANC (W)
by Henry WULSCHLEGER (1933) -
103 mns
•
TREE MEN ON A HORSE
by Marcel MOUSSY (1969) -
84 mns
•
TRÉSOR DES PIEDS NICKELÉS (LE)
by Marcel ABOULKER (1949) -
96 mns
•
VOIX SANS VISAGE (LA)
by Léo MITTLER (1933) -
95 mns
•
Voracious (The)
by Jean ROUSSELOT (2009) -
52 mns
•
YVETTE
by Alberto CAVALCANTI (1927) -
75 mns
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